by Tran Hoang Hoang
1975, a French TV channel proposal female filmmakers making a movie 7 minutes to answer the question: “Qu’est ce qu ‘être femmes?” (How aware of the existence of secondary female?). Immediately, the female director Agnès Varda (born in 1928) immediately made short films Reponse de femmes: Notre corps, notre sexe (female reply: our body, our gender) as to conquer an art “theme song” conundrum was given. It is also the goal of the series “Women Film” ART VIDEO VIDEO program of film and center at Goethe Institute Hanoi (58 Nguyen Thai Hoc Street, Hanoi) want to convey to people who are going to make movies and art technology in Vietnam.
On purpose, with capacity less than 10 minutes, the film’s female reply: our body, our sex quite like a trailer or a electronics like video calling propaganda the world should not smoke. Finding an appropriate form of expression to “press” the sign of the existence of women is not easy. It should be noted that the 1970 Period, the repercussion of the month 5-1968 sexual revolution still exists, the feminist movement demanded equality between men and women should be spread throughout the West that could easily lead take down “trap” is “exaggerating example” of female power in a gas export monologue, lecture and preach. That’s what I wanted to sign for a “piece of propaganda”. Directed by Agnès Varda has shown “high-handed” when answering questions in the philosophy of the modern and innovative approach to the art of cinema from the 1970s.
The first character in the film is not a professional actor but a normal woman. Fixed cameras are often put to the woman replied directly to the camera that the film reaches the natural and minimalist. But the film still plays airy place but it feels like we are watching a documentary does not show when the women play normally speak for 2 women with localized point man: body and gender. The two vessels are the main focus of the film connected with the non-linear image of a film is not the plot and main character from the physical and psychological development of women’s physiology over time.
Philosophy movie was pushed by the straight lines directly subject to the injustice of social cognition for women with life examples from both familiar and marvelous but very big move. For example, one woman said that women taking the body compared to the solidity of a table and chairs in the poster is a rude behavior, uncivilized. Direct calculation also fully exploiting the motto “only to direct things” in the foreground frames directly into the female body nude to highlight issues and gender body. This style makes the film critic Agnès Varda ranked in order of the pioneer schools of the French New Wave filmmakers and writers innovation as Alain Resnais, Chris Marker, Marguerite Duras, Alain Robbe-Grillet …
Innovation in radical form but the director does not forget the task requires the equality of women to men-the ones from the past to the present in any way-that-side-up theories of how women French feminist Simone de Beauvoir (1908-1986) changed the perception: “Need to change from the beginning”. So, a genre seemingly stereotypical formulas and to promote efficiency is expressed by a master of the art of cinema. Lessons for young filmmakers and audiences Vietnam is not the subject is unable to perform any materials and both have become artistic content if talented creative people production.
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