During the next film and will grow and expand website content in both breadth and depth to provide not only information but also all the concepts, trends film world. A new film can not help thinking associated with a new film. So, besides the regular news updates art exhibitions, documentary festival in the country and internationally, the main activity of the film DocLab and reviews including post thoughts, video analysis; we open the topic for two main purposes: one is to build a vision of modern cinema, both as operators and introduced the director, the documentary – which tests the vision.
Thematic first we want to put to you is reality & documentaries, always a controversial issue for this category. First of all, we will provide a brief change in the conception of reality history research / documentary filmmaker from now through early translation titled “Making the documentary: from theory to criminal The theory of “, extracted from the book” Film – The keys concepts “of Nitzan Ben-Shaul. Then two specific articles to deploy more “creative problem Therapy and documentary” of Do Van Hoang is the shared experience of a writer, young filmmakers documentary about treatment How realistic data, “Man with a movie camera Dziga of Vertove and ‘true cinema'” Do Xuanzang analysis of an author’s work Dziga Vertov – represent directed generation enlightening film documents. The film shows profound conception of power reflects the reality of the cinematic medium which comes from passion exact science of modernist spirit. Over two posts, you can see more clearly the relationship between reality & documentaries in a writing akin to manipulate and analyze specific evidence.
Finish in the words we speak documentary directed by contemporary Chinese Weikai Huang: “I told myself not to care about a documentary film is” often just “something, or too little about the meaning of “reality” or “truth”. Both documentary and feature films are films follow different rules of the game only. “
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